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Films of Sergio Leone => Other Films => Topic started by: emmo26 on November 21, 2014, 08:00:24 AM

Title: The Homesman (2014)
Post by: emmo26 on November 21, 2014, 08:00:24 AM
Three women who have been driven mad by pioneer life are to be transported across the country by covered wagon by the pious, independent-minded Mary Bee Cuddy, who in turn employs low-life drifter George Briggs to assist her.

Starring and directed by Tommy Lee Jones

Title: Re: The Homesman (2014)
Post by: dave jenkins on November 21, 2014, 09:00:43 AM
Yeah, but is it any good?

Title: Re: The Homesman (2014)
Post by: stanton on January 03, 2015, 05:54:47 AM
The Homesman - Tommy Lee Jones

A very reduced western, similar to Kelly Reichardt's Meek's Cutoff, which shows the west in a way that might be authentic, or at least it seems more authentic than any other western. And both are about women, both are not foreseeable, both give a damn about mainstream audience expectations. In The Homesman (not exactly sure what the term could mean) the women lose their mind or every hope due to the dismal life in the west, in Meek's Cutoff at least one women turns to be stronger than the men in view of the difficult circumstances.

Both 8/10

Title: Re: The Homesman (2014)
Post by: Dust Devil on January 25, 2015, 08:20:46 AM
This looks good.

Title: Re: The Homesman (2014)
Post by: Dust Devil on January 30, 2015, 07:10:02 AM
And it really does look good and feel authentic and true to the WW as much as I'm inclined to believe, still, I have some regards, mostly due to TLJ's character. Because you really do know what he's gonna do in the end. Part of the sincerity and authenticity gets sacrificed for that part of the plot to flow. Yet again, he never was supposed to be a complete SOB... I don't know, I'll give it a careful re-visit in the future, but right now it's flirting with a 7/10 in my book.

Title: Re: The Homesman (2014)
Post by: Moorman on January 04, 2017, 09:58:03 AM
Yeah, but is it any good?

Yes, its good. In fact, i think its one of the most underrated Westerns that has come out since Unforgiven.  I'm surprised its not talked about more on this forum.  First, its not your typical shoot them up Western. If you go into it without expecting that, you will be ok. Its really something a mature Clint Eastwood would have done later in his career. I'm not gonna give any spoilers.  Check it out, its definitely worth a watch...

Title: Re: The Homesman (2014)
Post by: Moorman on January 18, 2017, 04:40:18 PM
I don't know why this movie doesn't get more reviews. Its better than a lot of westerns i have seen...

Title: Re: The Homesman (2014)
Post by: Spikeopath on May 04, 2017, 01:21:39 AM
I don't know why this movie doesn't get more reviews. Its better than a lot of westerns i have seen...

I'll gladly add mine.

Three crazy women for five weeks is a lot more than I bargained for.

The Homesman is directed by Tommy Lee Jones, who also co-adapts the screenplay from Glendon Swarthout's novel with Kieran Fitzgerald and Wesley A. Oliver. It stars Jones, Hilary Swank, Grace Gummer, Miranda Otto and Sonja Richter. Music is by Marco Beltrami and cinematography by Rodrigo Prieto.

Three women who have been driven mad by pioneer life are to be transported East across the country to Iowa. When the men of the town refuse to stand up and be counted, single, pious and independent-minded Mary Bee Cuddy (Swank), enrols for the task. Recruiting scallywag drifter George Briggs (Jones) to aid the journey, it becomes an arduous journey that will make or break both of them.

The Homesman is a tricky Western, revisionist of heart and blood, and grim in nature, it's got a narrative that has (and will continue to do so) invited criticism from different quarters. It has been called misogynistic on one side of the fence, and feminist on the other! While there is a humongous narrative jump that has been lauded as great from some, and a film killer by others. The truth is that only each viewer can judge from their own personal perspectives. Personally I think that Jones has blended both the former angles to perfection, whilst the latter issue is to me an outstanding and brave piece of film.

The life of the pioneer women is shatteringly brought into sharp focus, right from the off there's brutality blended with utter sadness as Jones the director cuts no corners in setting up the film. Big question then hits us in the face - just how did the Old West deal with those suffering mental disturbance? In this instance it's to pack them off to the East where they will be tended by a minister and his wife (the latter of which played by Meryl Streep in little more than a cameo). The three women are vividly portrayed by Otto, Gummer and Richter, but this aspect of the film is only a side-bar to the crux of the story.

This is of course about Mary Cuddy and George Briggs, a man and woman at total different ends of the spectrum. She's sad at being alone without a man, he's more than happy to be without a woman. Everything suggests that this is going to be "one of those films" where opposites find a soul mate, but Jones and his backers may not be reverting to type? I mean for a start how interesting to find this journey going from West to East, that says much about the film right there, a pioneer journey in reverse. While the prominent ladies here may be mad, abused or needy, you will be searching far and wide for a decent man in this here tale.

The landscapes are deftly photographed by Prieto, eye opening but never to the detriment of the narrative thrust of pioneer hardship. Betrami lays ethereal piano and string arrangements all over the piece, while joining Streep in short bursts of cameo characterisations are James Spader, John Lithgow, William Fitchner, Hailee Steinfeld and Tim Blake Nelson, that's quite an armoury of performers. Even if you can't help but want more from them all.

But it's Swank and Jones, a superb pairing, who give the grade "A" performances. Jones lifts his old cantankerous ruffian character to greater heights, making Briggs the anti-hero to the anti-hero. While Swank hasn't been this great for a long time, making Mary Cuddy strong and inspiring, yet also evidently suffering inner turmoil. Swank's turn epitomises The Homesman, shrewd and insightful, humane and heartfelt. Top stuff all round, it's great to see modern directors confident enough to make biting moody Westerns. 9/10