Sergio Leone Web Board
Welcome, Guest. Please login or register.
December 10, 2018, 01:25:29 AM

+  Sergio Leone Web Board
|-+  Other/Miscellaneous
| |-+  Off-Topic Discussion (Moderators: cigar joe, moviesceleton, Dust Devil)
| | |-+  Two Men In Manhattan (1959) NYC Tail Fin Noir
0 and 1 Guest are viewing this topic. « previous next »
: [1]
: Two Men In Manhattan (1959) NYC Tail Fin Noir  ( 1982 )
cigar joe
Bounty Killer
Offline Offline

Posts: 13192

easy come easy go

« : December 03, 2015, 05:54:22 AM »

In French ( Deux hommes dans Manhattan) is a 1959 New York City based French film-noir directed by Jean-Pierre Melville. Starring, Jean-Pierre Melville, Pierre Grasset, Music by Martial Solal, Christian Chevallier Cinematography by Nicolas Hayer

Googie style credit sequence

Jean-Pierre Melville filmed both a Noir love letter and, almost a time capsule video documentary of 1958 New York City. From the opening bars of the jazzy score and Googie style credits that run over a wonderful (looking out the back window of a cab) trip down through traffic, a traffic of tail fin adorned cars, traveling South along Broadway, and then on 7th Avenue right  through the heart of manically lit Times Square you know you are in for a special visual treat.

Times Square

Melville's New York is the real deal. Its not some Hollywood backlot dressed up like New York City. Melville's New York is a dreary smoggy winter sky New York. The old New York that bleched black coal smoke by the ton into the atmo, a New York of  steaming man holes in streets that were choked with Buses and  Checker Cabs. Melville's New York was a  holiday day  New York festooned with Christmas decorations two days before December 25th. Again here is a film, along with Blast Of Silence that captures the Zeitgeist of New York, that every Mike Hammer Film (of those that were actually set in New York) does not.

Manhattan Skyline

East River, East Side Manhattan, Con Ed stacks, smog

Rockefeller Plaza and Salvation Army bell ringer

Salvation Army Band on Fith Avenue.

Our story begins when a French diplomat Fèvre-Berthier fails to show up to cast a vote at a United Nations meeting. A news blurb about the absent diplomat is sent to the French Press agency whose office is in Rockefeller Center. Further investigations by phone reveal that the man did not show up at home the night before.

Smoky French Press Office

Moreau first view wrapping up his work

Jean-Pierre Melville plays Moreau the press agent who just about to get off work and making plans for the evening gets unfortunately assigned to the case. He suggests to his boss that this paparazzi acquaintance, Delmas (Pierre Grasset) knows his way around the sleazy side of New York and may be of service in tracking down Fèvre-Berthier. 


At the French public relations office Moreau crosses paths with Anne Fèvre-Berthier the missing man's daughter. The public relations officer tells Moreau to check with Fèvre-Berthier's secretary who lives down in the Village (Greenwich Village). Morreau heads to the subway for the ride downtown.

Moreau in fedora as straphanger

In the Village Moreau confronts Fèvre-Berthier's personal secretary. She is a lesbian and has no information. This setback finally sends Moreau to the apartment of his friend Delmas a good potographer but also a notorious drunk and womanizer. Moreau walks into Delmas' digs and finds a trail of woman's undergarments that all lead to a bed that contains the passed out Delmas and a naked woman.

The start of the trail...

high heels, slip, bra....

LP Albums, record player, booze bottles, a drink...

To the end with Delmas and his gal pal

Moreau wakes up Delmas makes coffee and gives him the scoop about Fèvre-Berthier, and asks him what he knows about his girlfriends. Delmas shrugs and comes up with three photographs an actress, a singer, and a stripper, and our two journalists now become de facto detectives running around Manhattan and the outer boroughs trying to track down Fèvre-Berthier.

A New York of bullet bras & girdles (singer Glenda Leigh)

A New York of strip joints (Michèle Bailly)

And a New York that's very Noir-ish

A big test of Moreau and Delmas tenuous relationship is when Delmas relizes that the pictures and the story is worth millions while Moreau wants to keep the whole thing under wraps.

Pierre Grasset is great as the smart alek Delmas his picaresque portrayal is very effective playing against Melville who is relatively somber. The film has but few flaws, probably the most notable for me are the interior shots of the E.D.D.I.E. whorehouse, the actresses playing the hookers seem to be speaking English phonetically, and ditto for the stripper Bessie Reed. The excellent soundtrack is by Christian Chevallier and Martial Solal. 8/10

Two Men In Manhattan is available on DVD from Cohen Films its in French with English subtitles.

"When you feel that rope tighten on your neck you can feel the devil bite your ass"!
dave jenkins
Bounty Killer
Offline Offline

Posts: 14159

"One banana, two banana, three banana, four...."

« #1 : December 03, 2015, 02:36:59 PM »

Two Men In Manhattan is available on DVD from Cohen Films its in French with English subtitles.
And on Blu-ray. Great caps, CJ!  O0

Ya measly skunk! A-campin’ on my trail and lettin’ me do the work an’ then shootin’ me in the back. IN THE BACK!
Global Moderator
Bounty Killer
Offline Offline

Posts: 8780

trust a man who wears both a belt and suspenders?

« #2 : December 06, 2015, 09:16:48 PM »

Yeah good stuff, CJ  O0

There are three types of people in the world, my friend: those who can add, and those who can't.
Bounty Killer
Offline Offline

Posts: 8096

« #3 : September 18, 2016, 02:48:35 AM »

Not a major Melville, the story is not particularly gripping. So, as 30 years ago, my rating is a generous 7/10. But it makes me want to go to Paris, in spite of ISIS bastards. Maybe for Xmas, if some dough comes up.

: [1]  
« previous next »


SMF 2.0.15 | SMF © 2017, Simple Machines