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Author Topic: High Treason (1951)  (Read 185 times)
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« on: May 30, 2017, 01:53:34 AM »

High Treason (1951): After a big explosion in the London Docks, Scotland Yard and MI5 join forces to find the ones responsible. Meanwhile the bombers, a group of communists, set their eyes on a much larger target, several power stations around the country, including London's Battersea power station. The group have enlisted a weakling shop seller as one of their helpers, but he slowly starts to crumble and fall apart. Meanwhile the investigators go over each lead and are slowly able to identify members of the group. But they don't know when the next attack will be or where.

A Cold War thriller that starts with a bang and ends with a big finale inside Battersea power station. By shifting the focus back and forth between the investigators and the Communist group (which is never mentioned directly, but strongly implied), including the moments where their paths cross, the movie maintains tension and suspense. The cast isn't too well-known but contains a ton of familiar British character actors, from the lead detectives, Liam Redmond ('Night of the Demon') and André Morell ('The Bridge on the River Kwai') to the leader of the group, John Bailey ('Never Let Go') to Geoffrey Keen (Sir Frederick Gray in half a dozen James Bond movies) and so on.

Directed and co-written by Roy Boulting, one half of the Boulting brothers ('Brighton Rock', 'Seven Days to Noon'), and with future acclaimed cinematographer Gilbert Taylor behind the camera ('Star Wars', 'Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb'), this movie is expertly made. It's got a nice pace to it, and by mixing interior studio sets and exterior on-location shots in London, as well as inside Battersea power station, the movie also looks pretty nice. It's not a classic by any means, but hard to go wrong with this one. 7/10

This can be found on youtube, with an ugly software generated watermark in the topleft corner for the entire length of the movie.


'I feel all dead inside. I'm backed up in a dark corner and I don't know who's hitting me.' - The Dark Corner (1946)
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« Reply #1 on: May 30, 2017, 02:28:04 PM »

Thanks for the tip, I'll watch it. The logo is very intrusive, but it's still better than some bad uploads which apparently used youtube's infamous "image stabilization" which does nothing of the kind. On the contrary, the picture seems to constantly "wave" in a weird way so that by the end of the film you're kind of seasick.


Jessica Rabbit
"I'm not bad. I'm just drawn that way."
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