TT 213: Burt Bacharach, dead at 94ETHAN IVERSONFEB 9Thank you Mr. Bacharach for the immortal music.Burt Bacharach said his favorite 40's big band was led by Dizzy Gillespie, and learned jazz piano from the great Joe Bushkin. He studied modernist composition with Darius Milhaud, who told Bacharach that he shouldn't worry about dodecaphony and keep composing those nice melodies.In his 60's songs, Bacharach undoes conventional pop from deep underneath the surface. "Hooks" are almost always a bit asymmetrical, but Burt's are truly lopsided. In the background of his radio-friendly hits there is an echo of bebop logic, an echo of Schoenbergian logic.There's no Bacharach without his collaborators. American music is always a collision of cultures, frequently African and European. After spending several years as Marlene Dietrich's music director, Bacharach was ready to have a diva of his own.Dionne Warwick brought the lineage of soul and gospel to the table and sang Bacharach's melodies as if she had inscribed them herself upon a biblical tablet.The third member of the triumvirate was lyricist Hal David, who searched a surreal and overcast meadow for unexpected rhyme and reason.Between them, Bacharach, David, and Warwick achieved a glorious pinnacle.Dave Frishberg said that when learning to write memorable themes, he studied the "4 Bs": The Beach Boys, the Beatles, Brazilian, and Bacharach. ("Brazilian" means Jobim, Gilberto, Mendes, etc.)This is '60s music. All of the "4Bs" find a balance between inside and outside, smooth and rough, straight and funky. But for my own taste, Bacharach/Warwick/Davis is the most sublime mix. Just the best -- like the best, EVER!
I like this version:https://www.youtube.com/watch?v=_ml07tLzvjY