Where he waited in the darkness with the Viale Glorioso gang...What he stole from Kurosawa he bequeathed to Peckinpah...With the darkness and the anguish of a Goya...
Wow - Browne really knows his stuff when it comes to Leone.
"What he stole from Kurosawa he bequeathed to Peckinpah"But only the first half of this quote is true.
ok, first off most of you probably thought this didn't belong in general discussion upon view of the title... but it does...
Technically it's not entirely accurate but it is a song after all. However, yes - Leone took a lot of visual style from Kurosawa, but (according to Leone at least) bequeathed to Peckinpah simply the thematic notion of doing a revisionist Western. These are indeed two very separate things whereas Browne's implication is that they are one and the same.By the way I know Leone and Corbucci claimed Peckinpah would never have done what he did without them, but did Peckinpah himself actually acknowledge this anywhere?
Peckinpah's films are about dying, Leone's about killing.
I think you can even take that beyond a thematic sense too. I'm not sure if it is Frayling or someone else (maybe even just me in my head ) who noted that the action in a Leone film is slowed down prior to the shooting (hence being about the killing via the long period of tension preceding the shots being fired in a duel), but in a Peckinpah film it is slowed down during the actual act of the shooting (hence being about the dying via slow-motion tied with rapid cross-cutting as people actually get hit by the shots)