Sergio Leone Web Board
Welcome, Guest. Please login or register.
December 18, 2017, 06:01:40 AM
Home Help Search Calendar Login Register
News:


+  Sergio Leone Web Board
|-+  General Information
| |-+  General Discussion (Moderators: cigar joe, moviesceleton, Dust Devil)
| | |-+  Here's another contribution of rare photos
0 Members and 2 Guests are viewing this topic. « previous next »
Pages: 1 [2] 3 4 ... 30 Go Down Print
Author Topic: Here's another contribution of rare photos  (Read 154388 times)
Sanjuro
Bounty Killer
*****
Offline Offline

Posts: 885


It'll hurt if you are cut.


View Profile
« Reply #15 on: July 27, 2006, 09:23:25 AM »

Just one more still of Jill and Sam. I have never seen this still anywhere else other than in the Japanese program booklet.


Logged

<br />\"Be bold like an angel, meticulous like a devil.\" (Akira Kurosawa)
Le Bon
Gunslinger
****
Offline Offline

Posts: 499

You'd better be Bill Carson


View Profile
« Reply #16 on: July 27, 2006, 09:53:42 AM »

Yes sure... I'll detail the Scene of Harmonica trailing Wobbles.

Scene 30. CHINESE LAUNDRY: DAY. Wobbles is supervising the Chinese workers. 'Eight sheets. There should be eight, You yellow faces!' He holds up eight fingers. 'Can't you count for christ's sake?'.  As the bell rings his manner changes.  Jill enters.
31. Jill leaves and walks towards Flagstone hotel passing a saddler's shop where Harmonica is examining the merchandise. Jill walks by without stopping, but it is clear all is going to plan. Harmonica is still inspecting a saddle but keeping an eye on the back door of the laundry where Wobbles is trying to leave inconspicuously. As Wobbles leaves Harmonica follows him {his face appears around corners of houses,  carriages and behind horses} until Wobbles enters the main station building.
The next sequence 33 shows the railway track with a locomotive plus carriages pointing in the opposite direction to the one which brought Jill to Flagstone. {it has been turned around on a wooden platform constructed on  the branch line just outside Flagstone}. As the train leaves Wobbles jumps into one of the carriages: Harmonica jumps onto the running board of the following carriage.
34 Harmonica looks for Wobbles in his carriage. {it is a guard's van}. There is no sign of him.
35 Harmonica looks for Wobbles in a crowded compartment. Still no sign.
36 Harmonica jumps from the moving train which by now is a few hundred yards from the station. There is a stretch of line parallel leading nowhere with a wooden shack next to it. Another locomotive with a single carriage is about to leave. {this setting is in the final version} Harmonica climbs a ladder at the rear of the carriage and lies on the roof listening to the conversation inside. A bell rings. The engine driver says. 'Hm.The spider wants to make a little turn around'. The fireman shovels coal into the furnace. ' You know he likes to go fast'. The locomotive moves out.

This sequence helps to clarify that Mortons train is not meant to carry passengers and explains why there are two locomotives shown in the shortened scene of Harmonicas search for Wobbles in the final version. You can see the wooden platform in the photo that Sanjuro posted earlier as well.


« Last Edit: July 27, 2006, 09:55:23 AM by Le Bon » Logged
The Peacemaker
Bounty Killer
*****
Offline Offline

Posts: 5106


OH SH*T!


View Profile
« Reply #17 on: July 27, 2006, 10:38:35 AM »

Yes sure... I'll detail the Scene of Harmonica trailing Wobbles.

Scene 30. CHINESE LAUNDRY: DAY. Wobbles is supervising the Chinese workers. 'Eight sheets. There should be eight, You yellow faces!' He holds up eight fingers. 'Can't you count for christ's sake?'.  As the bell rings his manner changes.  Jill enters.
31. Jill leaves and walks towards Flagstone hotel passing a saddler's shop where Harmonica is examining the merchandise. Jill walks by without stopping, but it is clear all is going to plan. Harmonica is still inspecting a saddle but keeping an eye on the back door of the laundry where Wobbles is trying to leave inconspicuously. As Wobbles leaves Harmonica follows him {his face appears around corners of houses,  carriages and behind horses} until Wobbles enters the main station building.
The next sequence 33 shows the railway track with a locomotive plus carriages pointing in the opposite direction to the one which brought Jill to Flagstone. {it has been turned around on a wooden platform constructed on  the branch line just outside Flagstone}. As the train leaves Wobbles jumps into one of the carriages: Harmonica jumps onto the running board of the following carriage.
34 Harmonica looks for Wobbles in his carriage. {it is a guard's van}. There is no sign of him.
35 Harmonica looks for Wobbles in a crowded compartment. Still no sign.
36 Harmonica jumps from the moving train which by now is a few hundred yards from the station. There is a stretch of line parallel leading nowhere with a wooden shack next to it. Another locomotive with a single carriage is about to leave. {this setting is in the final version} Harmonica climbs a ladder at the rear of the carriage and lies on the roof listening to the conversation inside. A bell rings. The engine driver says. 'Hm.The spider wants to make a little turn around'. The fireman shovels coal into the furnace. ' You know he likes to go fast'. The locomotive moves out.

This sequence helps to clarify that Mortons train is not meant to carry passengers and explains why there are two locomotives shown in the shortened scene of Harmonicas search for Wobbles in the final version. You can see the wooden platform in the photo that Sanjuro posted earlier as well.



Thanks a lot Le Bon. Being that I'm a big train fan I would've loved to see this sequence. I really appreciate it.

Logged

Le Bon
Gunslinger
****
Offline Offline

Posts: 499

You'd better be Bill Carson


View Profile
« Reply #18 on: July 27, 2006, 01:38:48 PM »

Just one more still of Jill and Sam. I have never seen this still anywhere else other than in the Japanese program booklet.



This looks to me by their expressions, that they have arrived at Sweetwater and have seen the Mcbain bodies laid out?? I have that Japanese program as well Sanjuro from Ebay a few months ago. Very nice item. Apparently there are two different ones for OUATITW. I also have the GBU one which is not quite so good.

Logged
Sanjuro
Bounty Killer
*****
Offline Offline

Posts: 885


It'll hurt if you are cut.


View Profile
« Reply #19 on: July 27, 2006, 02:07:11 PM »

Le Bon, that's right, this is when Jill arrives at the Macbain's farm and she is shocked to see the bodies of the Macbain family.

And you are right also about the program booklet. There two different editions. One from the original release of the film and the other from the second release. Mine is from the original release. The cover art is basically the same as the poster for the original release.

Incidentally, in Japan, OUTIW is titled "Western." Very symbolic title, isn't it?


« Last Edit: July 27, 2006, 02:09:37 PM by Sanjuro » Logged

<br />\"Be bold like an angel, meticulous like a devil.\" (Akira Kurosawa)
Sanjuro
Bounty Killer
*****
Offline Offline

Posts: 885


It'll hurt if you are cut.


View Profile
« Reply #20 on: July 28, 2006, 12:27:37 PM »

This is a deleted scene-----of which film? And can you tell who this bosomy lady is?


Logged

<br />\"Be bold like an angel, meticulous like a devil.\" (Akira Kurosawa)
The Firecracker
Bounty Killer
*****
Offline Offline

Posts: 9672


Rub me the wrong way, and I'll go off in your face


View Profile
« Reply #21 on: July 28, 2006, 02:14:53 PM »

Maria Krupp. The ugly hotel owners wife from FAFDM.


That makes two sex scenes deleted from the Dollars trilogy. the one just mentioned and the one in the lost Socorro sequence in GBU.
wonder if FOD had one as well?

Logged



The Official COMIN' AT YA! re-release site
http://cominatyanoir3d.com/
Tim
Guest
« Reply #22 on: July 29, 2006, 11:11:58 AM »

Quote
Maria Krupp. The ugly hotel owners wife from FAFDM.

  Well, that's one scene I'm very glad was cut from the final prodcut.  That scene with her and her husband is just disgusting, mostly because of her. Sad

Logged
The Peacemaker
Bounty Killer
*****
Offline Offline

Posts: 5106


OH SH*T!


View Profile
« Reply #23 on: July 29, 2006, 01:15:35 PM »

  Well, that's one scene I'm very glad was cut from the final prodcut.  That scene with her and her husband is just disgusting, mostly because of her. Sad

She's not pretty but as Sanjuro said she's very...bosomy.   Grin

Logged

Le Bon
Gunslinger
****
Offline Offline

Posts: 499

You'd better be Bill Carson


View Profile
« Reply #24 on: July 29, 2006, 03:27:56 PM »




I have been meaning to post this one for a while now. Finally got round to it.

« Last Edit: July 29, 2006, 03:31:29 PM by Le Bon » Logged
The Peacemaker
Bounty Killer
*****
Offline Offline

Posts: 5106


OH SH*T!


View Profile
« Reply #25 on: July 29, 2006, 03:30:58 PM »



That one I've seen before. I think it was on the DVD somewhere too.

Logged

Le Bon
Gunslinger
****
Offline Offline

Posts: 499

You'd better be Bill Carson


View Profile
« Reply #26 on: July 29, 2006, 03:34:26 PM »

This is quite an unusual one.



Logged
The Peacemaker
Bounty Killer
*****
Offline Offline

Posts: 5106


OH SH*T!


View Profile
« Reply #27 on: July 29, 2006, 03:36:02 PM »

This is quite an unusual one.




Nice. That really is odd.

Logged

Sanjuro
Bounty Killer
*****
Offline Offline

Posts: 885


It'll hurt if you are cut.


View Profile
« Reply #28 on: July 29, 2006, 04:38:00 PM »

Yeah,  I've never seen that either. Who is in the foreground?

Logged

<br />\"Be bold like an angel, meticulous like a devil.\" (Akira Kurosawa)
The Peacemaker
Bounty Killer
*****
Offline Offline

Posts: 5106


OH SH*T!


View Profile
« Reply #29 on: July 29, 2006, 04:40:35 PM »

Yeah,  I've never seen that either. Who is in the foreground?

Clint.

Logged

Pages: 1 [2] 3 4 ... 30 Go Up Print 
« previous next »
Jump to:  



Visit FISTFUL-OF-LEONE.COM

Powered by SMF 1.1.21 | SMF © 2015, Simple Machines
Page created in 0.032 seconds with 19 queries.