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: Death Walks in Laredo  ( 6746 )
Marco Leone
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« : September 08, 2005, 01:46:29 PM »

Heres my ramblings over this weeks' viewing :

"Now, there are many euro-westerns that would fit into the "weird" category, but woh this one is weirder than most!

The story starts with Whity Selby (Thomas Hunter) being confronted by a solicitor whilst leaving a saloon (inside which he has just thwarted an attack by killing all three opponents with one blast of his three barrelled pistol - one of many gimmicky weapons in his arsenal).

The solicitor advises Selby that his father, who had died ten years ago and he had never met, had left him his goldmine as part of a will. The document is accompanied by a picture of a young girl. Selby travels to Laredo to reclaim his father's legacy, and to identify the identity of the girl.

On arriving at the goldmine, Selby encounters two men on a similar mission - Etienne Devereaux (Nadir Moretti), a man of french origin with magical powers of magnetism (honestly!) and Lester Kato (James Shigeta), a kung-fu kicking oriental. As the three men fight it out for what they consider rightfully theirs, they are accosted by an old local man, and it soon becomes clear from the ensuing discussions and matching wills/photos that the three are unlikely brothers. Their father enjoyed the company of women, and many of them!

The men are informed that their father fought bitterly to retain his land, but had been forced out of Laredo by powerful landowner "Julius Caesar" Fuller (Enrico Maria Salerno) - a man obsessed by the history of the great roman leader, likening him to the power that he himself possesses. Fuller is quite possibly the strangest character of all the euro-westerns that I have seen - he lives in a replica palace, has a penchant for young girls, surrounded by scantily clad ladies from around the world as his lolls about in his toga. He is guarded by a gang of pistoleros all clad in black (reminiscent of the equally bizarre Django Kill which, incidentally, I believe this film predates).

All in all "Death Walks in Laredo" makes for quire compulsive viewing! Not just because of its unique and bizarre take on the genre, but also for its interesting story with its subtle twists and turns. Thomas Hunter is pretty convincing in the main character role, but not as enjoyable as Salerno, who hams his Caesar role in a style reminiscent of Jack Nicholson.

There are also some moments of great humour - with some priceless dialogue as the old man explains why it has taken ten years for the wills to reach the brothers. The confrontation between the two ladies is also very pleasing on my male eyes! (How shallow!)

Can I recommend this? Well, of course! But there is probably as much a chance of you hating it as loving it. Personally, I had a love in".

Really intrigued to get the views of others that have seen this little oddity - feel free to vote at the poll at

« : August 28, 2008, 08:10:27 AM Banjo » My Euro Western Website - (includes Reviews, Actor information and Spaghetti Western Generator)
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Don't you like music with your supper?

« #1 : May 25, 2007, 05:37:31 AM »

Firecracker's review for Death Walks In Laredo:-

Review for...
"Death Walks in Laredo"

This is an odd ball spaghetti. Just as goofy as "heads you die, tails I kill you" but far more entertaining and better, despite it's lower production values and it's less capable director (Carmineo is far better than Enzo Peri)...

The story is of three strangers drifting into the town of laredo to proclaim their rightful inheritance to a gold mine that each of their fathers left them...but wait! We later find out that these three strangers are from the same father with different woman...thus making them siblings.
They are quite a strange trio indeed...each of them have their own little gimick. White Sibley (Thomas Hunter) carries an arsenal of gadgets including a four barrled revolver, his asian half brother Kato is a master of martial arts (The weakest gimick) and finally his french brother Devereaux uses the power of magnetism to stop baddies from using their pistols  .

Together these three caballeros use their gadgets, fists and jedi mind tricks to stop the corrupt town boss who has stolen their father's land.
The town boss is Julius Cesar Fuller (Enrico maria Salerno) and he fancies himself to be THE Julius Cesar. Some may think that he is an excellent baddie but I dont. He is quite memorable but he fails to be threatening, he kinda just sits around barking orders at his lackies until he is finally disposed of at the end (surprise surprise). His Surroundings are far more interesting then he is...he's house is like a Roman palace complete with indoor bathing house, elevator and scantily clad woman who "service" him.
It was surprising ( and disappointing) to me that he did not have a large gladitor arena outside in his back yard. It would have been nice to see him pit our three heroes in a ring with bulls and some of his best men. Oh well...wishful thinking for the remake   .

You wont find anything special with the music...perhaps the title theme may be of some interest.

The action scenes are well put together and their is a lot of them. There is not a dull moment in the whole film.

The acting is what you would expect from the likes of Thomas Hunter...Terrible. He is best suited for silent films rather then talkies. the rest of the cast is of little mention except for maybe Salerno as the memorable (but hardly threatening) Cesar.

On special mention their is a great cat fight between two woman about an hour into the film. Not to be missed!

« : August 28, 2008, 08:13:29 AM Banjo »
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« #2 : June 12, 2007, 01:03:40 PM »

I expected more of this, but I found it most of the time irritating for the childish pranks, seen them all plot turns, stale dialogues. Still there was some good idea, like Salerno's Hugh Hefner inspired "Mansion" (BTW, the name of Salerno's character was most probably copied from that of the foremost british military historian J.C. Fuller: read his classicl
Military History of the Western World
, if you have not yet) unless it was inspired by O'Brien residence in the contemporary Rio Concho. And all that dancing: yes, Delia Boccardo and especially Femy Benussi are always pleasing to see: but their scenes are unescapably perceived for what they are: fillers. So, for me what remains are some beautiful landscape, the two scenes where the black-clad Salerno's henchmen are disposed in a circle; Salerno's "dead" eye and the Mansion itself. And the girls, of course.   

« : August 28, 2008, 08:14:51 AM Banjo »

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