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| | |-+  What director, past or present, would you like Ennio Morricone to work with?
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Author Topic: What director, past or present, would you like Ennio Morricone to work with?  (Read 12929 times)
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« on: August 24, 2007, 09:08:35 AM »

Just think of it as a dream collaboration. The director you pick doesn't necessarily have to be alive. Just give us somebody you would have loved to work with Ennio that he has never worked with.

Howard Hawks would be the answer for me.

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« Reply #1 on: August 24, 2007, 09:22:39 AM »

Spielberg. Next to Leone, he's a director that knows best how to use music in a movie to really build the viewer's emotions.

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« Reply #2 on: August 24, 2007, 09:25:16 AM »

Spielberg. Next to Leone, he's a director that knows best how to use music in a movie to really build the viewer's emotions.

That would never happen though, sadly. Speilberg is to much on John Williams nuts to stray away from him. Not that that's a bad thing, I'm just saying, John Williams is Steven's Ennio Morrione.

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« Reply #3 on: August 24, 2007, 10:01:12 AM »

Martin Scorsese, John Ford, David Lean, Alfred Hitchcock.

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« Reply #4 on: August 24, 2007, 10:03:53 AM »

Martin Scorsese, John Ford, David Lean, Alfred Hitchcock.

Ennio would have worked wonders with David Lean. Also, if Marty was to ever do a western sometime in this century, I think he should use Ennio. Ennio looks like he's healthy enough to keep working on for years to come.

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« Reply #5 on: August 24, 2007, 11:31:15 AM »

Ennio would have worked wonders with David Lean. Also, if Marty was to ever do a western sometime in this century, I think he should use Ennio. Ennio looks like he's healthy enough to keep working on for years to come.

A Lean film scored by Morricone would have been awesome, although I can't imagine anyone but Maurice Jarre doing his epics. Scorsese generally doesn't use much in the way of soundtrack music, he uses very minimal original music and obviously a lot of period/contemporary songs. But Scorsese plus Morricone would be cool, if it happened.

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« Reply #6 on: August 24, 2007, 12:45:21 PM »

A Lean film scored by Morricone would have been awesome, although I can't imagine anyone but Maurice Jarre doing his epics. Scorsese generally doesn't use much in the way of soundtrack music, he uses very minimal original music and obviously a lot of period/contemporary songs. But Scorsese plus Morricone would be cool, if it happened.

Well, I was saying Scorsese if he'd do a western. He wouldn't using any Rolling Stones music for a western film if you know what I mean.

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« Reply #7 on: August 24, 2007, 04:01:27 PM »

I can't think of anyone but Scorsese.

Ennio is doing the Leningrad movie right?

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« Reply #8 on: August 24, 2007, 04:37:11 PM »

I can't think of anyone but Scorsese.

Ennio is doing the Leningrad movie right?

That's what I've been hearing. I dunno if it's set in stone or not.

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« Reply #9 on: August 24, 2007, 06:20:37 PM »

Ennio and Kurosawa would be interesting. In all likelyhood it would probably be awful, or great. Miss or hit, nothing in between. I can imagine Yoimbo's score for FoD, why not FoD's for Yojimbo? Besides, this is what you'd like to see, not what would be good.

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« Reply #10 on: August 24, 2007, 06:30:19 PM »

Ennio and Kurosawa would be interesting. In all likelyhood it would probably be awful, or great. Miss or hit, nothing in between. I can imagine Yoimbo's score for FoD, why not FoD's for Yojimbo? Besides, this is what you'd like to see, not what would be good.

Who normally scores for Kurosawa? The only Japanese composer who lived at that time I know is Akira Ifukube.

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« Reply #11 on: August 24, 2007, 06:42:03 PM »

Masaru Sato did quite a few of them.

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« Reply #12 on: August 24, 2007, 06:49:45 PM »

KUBRICK!!

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KevinJCBJK
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« Reply #13 on: August 24, 2007, 06:54:59 PM »

KUBRICK!!

As long Ennio doesn't touch A Clockwork Orange, I LOVED the score for that film.

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« Reply #14 on: August 24, 2007, 07:09:42 PM »

His score for Barry Lyndon probably would've been amazing.

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