Tell me more.
Also: Velvet Buzzsaw was fuckin awful. Seems to me Dan Gilroy is a one-hit-wonder as director.
What I had problem with the most is that it's a total Tarantino imposter. No reason to watch it when you could just watch Reservoir Dogs, Pulp Fiction, Inglourious Basterds or The Hateful Eight.
You've convinced me. I'll pass.
King Rat (1965). I hadn't seen this before. George Segal in his pre-Goldbergs role, as one of few Americans in a Japanese POW camp in 1945 in Mayalsia. Corporal King survives by bribing guards and avoiding real friendship.
Too bad he never discovered furikake (a bit more practical).
Alice Doesn't Live Here Anymore 7/10Somehow, I had managed to not see it until then. Flawed, but overall solid (and more importantly: exciting) effort: young Marty's (not yet refined) genius is obvious all over the place. It's very interesting to see his style applied to a much lighter material than what came afterwards in his career.
I like this very much, and I don’t think it is that “light”
It isn't objectively that light, it is light on the Scorsese scale How is Lyon?