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Author Topic: Rate The Last Movie You Saw  (Read 1796606 times)
Groggy
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« Reply #9165 on: May 19, 2011, 12:18:54 PM »

The Tailor of Panama - 9/10 - Basically a straight, and better, version of Our Man in Havana. Geoffrey Rush is amazing and casting Pierce Brosnan as a sleazy anti-007 is brilliant. The ending is a bit of a cop-out but everything is marvelous.

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« Reply #9166 on: May 19, 2011, 10:56:48 PM »

Kick-Ass - 8/10 - Much to my shock, I really, really liked this film. Lacking the pompous pretension of Watchmen, it effectively sends up the superhero genre while being enjoyable on its own merits. Good acting, witty script, funny characters and clever plotting make this a fun ride. One problem: Hit Girl and Big Daddy rubbed me the wrong way, though not for any "moral" reasons: I just found them uninteresting and pointless. Nice use of the FAFDM theme towards the end.

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« Reply #9167 on: May 20, 2011, 06:28:03 AM »

One problem: Hit Girl and Big Daddy rubbed me the wrong way, though not for any "moral" reasons: I just found them uninteresting and pointless.
They were the comic book types in the non-comic-book comic book movie. That is, the Kick-Ass character was the guy who brought a bit of reality into the mix, but HG and BD provided the genre markers the fan boys were looking for. So, the film upended conventions but also re-introduced and re-validated those conventions, a necessary move at this late stage.

La belle personne (2008) - 8/10. Transferring The Princess of Cleves to the 21st Century works, although Madame de La Fayette's novel is considerably changed in the process. Students are not aristocrats (although they may live like them) and a school is not a court, but amour and amour fou are universal themes (or so they tell me). Of course the ending, straightforward as it is in the original, is here made, necessarily, enigmatic, but that keeps things interesting. There are a few things not to like: the school apparently accepts only models and actors, there's not a normal looking kid in the bunch.  On the up side: Lea Seydoux, playing the title character, is so gorgeous, she shines even among all the competition. The wonderful soundtrack is made up of equal parts Bach and Nick Drake.

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« Reply #9168 on: May 20, 2011, 08:19:22 AM »

They were the comic book types in the non-comic-book comic book movie. That is, the Kick-Ass character was the guy who brought a bit of reality into the mix, but HG and BD provided the genre markers the fan boys were looking for. So, the film upended conventions but also re-introduced and re-validated those conventions, a necessary move at this late stage.

So you say.

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« Reply #9169 on: May 20, 2011, 09:03:20 AM »

If you want to keep the comic book movie genre fresh, that was probably the best way to do it.

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« Reply #9170 on: May 20, 2011, 09:37:20 AM »

Adding conventional genre elements keeps it fresh?

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« Reply #9171 on: May 20, 2011, 09:47:04 AM »

No, the Kick-Ass stuff is what makes it fresh, but the contrast helps the genre elements appear in a kind of heightened relief. Anyway, HG and BD made me laugh a lot.  It will be interesting to see how things work in Super (2010), which sounds like Kick-Ass without HG and BD (or at least without BD).

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« Reply #9172 on: May 20, 2011, 10:18:33 AM »

Easy A - 6/10 - This film got great reviews but I don't see what the big deal is. Just another goofy, oh-so-clever teen comedy with a few funny gags ("The Bible's in the best-seller section, next to Twilight"). It gets some points for an interesting cast: where else are you going to see Amanda Bynes and Malcolm McDowell in the same film?

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« Reply #9173 on: May 20, 2011, 11:36:41 PM »

Solder Blue - 2/10 - Billy Jack meets Little Big Man, but unfortunately much more Billy Jack. Aside from some nice photography, it fails on every conceivable level: aimless "plot," obnoxious characters, terrible acting, awful dialogue, message applied with a sledgehammer, intolerable music. The much-touted massacre scene is too over-the-top to take seriously. One positive: Buffy St. Marie is better than Coven.

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« Reply #9174 on: May 21, 2011, 11:36:47 AM »

Solder Blue - 2/10
Wow, Groggy CAN give a low score!

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« Reply #9175 on: May 21, 2011, 12:25:35 PM »

Wow, Groggy CAN give a low score!

Obviously you missed my God's Little Acre review in March.

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« Reply #9176 on: May 21, 2011, 07:32:42 PM »

The White Squadron (1936) The desert adventures of indigenous troops led by italians against raiders. Boring in spite of some good shots. The love story is stuck to the main plot line and it mkes the mvie suck even more. 3\10

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« Reply #9177 on: May 21, 2011, 07:36:17 PM »

Il treno crociato (1943)  Heavy melodrama on the vicissitudes of a trainful of wounded during the war. Among them lieutenant Brazzi who has a pathetic familiar history on which most of the plotline is based. 1\10

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« Reply #9178 on: May 21, 2011, 07:40:39 PM »

Fari nella nebbia (1942) It is commonly accepted by cinema historians to consider Ossessione as a forerunner of neorealism. Well, this must have been the forerunner of Ossessione. It reminds one of french movies of the '30's and it has a strong scene when Ferida rises from bed after sex  where lies adulterer Giachetti. You didn't see scenes like this in movies of the age except the french ones. Anyway the story is tolerable, though not particularly original. 7\10 

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« Reply #9179 on: May 21, 2011, 08:48:05 PM »

Pirates of the Caribbean: On Stranger Tides - 7/10 - Still a bit bloated (I could have done without the mermaid romance plot) but a definite improvement on the last two installments. Depp plays Jack Sparrow with little variation, but Geoffrey Rush is hammy good fun, Penelope Cruz is sexy and Ian McShane makes a great Blackbeard. Judi Dench has a funny cameo.

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