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Author Topic: Rate The Last Movie You Saw  (Read 622975 times)
Groggy
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« Reply #10530 on: June 03, 2012, 07:41:30 PM »

Rewatches of:

The Crucible - 8/10

The Man Who Loved Cat Dancing - 6/10 - Pampered Sarah Miles runs away from sleazy husband George Hamilton and winds up a not-unwilling hostage of outlaw Burt Reynolds. Starts out great, then gradually drifts off into oblivion. Like most '70s Westerns it's episodic and character-driven, which wouldn't be bad if it led somewhere worthwhile. At least there are some neat set pieces (Reynolds' slugfest with Jack Warden) and pretty scenery along the way. Reynolds is great but what the heck is Miles doing in a Western? The assorted making-of controversies are more interesting than the actual movie.
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« Reply #10531 on: June 05, 2012, 04:12:29 PM »

The File On Thelma Jordan (1950) Director: Robert Siodmak, with Stars: Barbara Stanwyck, Wendell Corey, and Paul Kelly, sort of a Noir light in the same vein as "No Man Of Her Own", "Sudden Fear", "Mildred Pierce", entertaining enough to be interesting but not very hard core noir in style. 7/10
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« Reply #10532 on: June 06, 2012, 11:26:17 AM »

Prometheus(2012)
My first 3d experience. It was a little weird at first but the picture smoothed out a bit when I got used to it. It didn't add a whole lot to the movie other than being a nice little effect.
The movie itself was somewhat disappointing. The plot is like a swizz cheese, both story and dialogue suffers. If you're gonna see it don't go in expecting another classic like Alien and Blade Runner. It's just your average blockbuster.
I'll give it a "mildy enjoyable".
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« Reply #10533 on: June 06, 2012, 12:17:13 PM »

If you're gonna see it don't go in expecting another classic like Alien and Blade Runner. It's just your average blockbuster.
I'll give it a "mildy enjoyable".
I'll give it a pass, then. Thanks.
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« Reply #10534 on: June 06, 2012, 12:34:03 PM »

Prometheus(2012)
My first 3d experience. It was a little weird at first but the picture smoothed out a bit when I got used to it. It didn't add a whole lot to the movie other than being a nice little effect.
The movie itself was somewhat disappointing. The plot is like a swizz cheese, both story and dialogue suffers. If you're gonna see it don't go in expecting another classic like Alien and Blade Runner. It's just your average blockbuster.
I'll give it a "mildy enjoyable".
A Ridley Scott film, "average"? Shock of all shocks.
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« Reply #10535 on: June 06, 2012, 05:36:18 PM »

TCM has been playing some real shitty 50's Crime Dramas lately:

Inside the Mafia (1959) 5.5/10

A ridiculous movie which refers very loosely to two real-life Mafia events: the murder of Albert Anastasia while under the towels in a barber chair in a Manhattan hotel; and the infamous Mafia meeting at Appalachin (re-named "Apple Lake" for this movie). At the end, the narrator predicts that the breakup of the Appalchin meeting and arrests of the underworld leaders in attendance may mean the end of organized crime in America. Yeah, that seems pretty accurate  Roll Eyes

The Night Holds Terror (1955) 6/10

I hate when directors think they can just switch narration anytime they please without having to justify whose point of view the story is being told from. The story -- about a family held hostage by 3 bad guys -- begins with a third person narration (stuff like "this is a true story that happened to..." then switches to the main character (like "I was never more terrified in my life...") and then switches back to the third party narrator toward the end as it suddenly changes to a police procedural and the narrator describes the police effort to nab the bad guys.
That sort of shit simply shows contempt for the audience. The narration has to be justified as much as anything else does.


The Hitch-Hiker (1953) 4/10

A criminal on the run holds two fishermen hostage as he tries to avoid police through California and Mexico. The whole movie is basically spent going around and around with the bad guy holding a gun to the back of the good guys. The sort of shit you've seen a million times and which could make for a decent 20 minutes worth of screenplay, not an entire 71 minute movie  Roll Eyes
« Last Edit: June 06, 2012, 06:48:10 PM by drinkanddestroy » Logged



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« Reply #10536 on: June 07, 2012, 03:26:01 AM »

In Cold Blood (1967) 9/10

What an amazing movie. My only minor complaint is that Scott Wilson is not very good as one of the leads; Robert Blake is good as the other lead (made all the scarier knowing about what he did later in life... yeah, I know he was acquitted). That murder scene was spellbinding...

I saw this the other day, Scott Wilson reminded me very much of a cross between Dennis Hopper and Michael Madsen

Other things I noted was the "Nature born killer" line, the camera shot from the boot (very QT)

and the middle finger salute....was this the first film to do this???
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« Reply #10537 on: June 07, 2012, 08:53:33 AM »

I'll give it a pass, then. Thanks.

Maybe I'm being a bit harsh. I think it's worth seeing once. It's not as bad as what T3 was to the Terminator trilogy.
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« Reply #10538 on: June 07, 2012, 08:35:35 PM »

An Unfinished Life (2005) 7.5/10

If a movie is done well and has good performances (Robert Redford, Morgan Freeman, Jennifer Lopez, and the little girl who plays her daughter), it can be entertaining even if the story is something you've seen a million and one times  Smiley
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« Reply #10539 on: June 08, 2012, 12:52:42 AM »

Prometheus

Hard one to rate.

8/10 : Great "adventure" first part, cool characters, great effects, nice use of 3D (no overuse: the movie is actually quite flat, except for CGI, which, as we now know, look much better in 3D. What looks especially cool in 3D are holograms.), all in all gorgeous cinematography, true adventure feel, nice vision of our future (the inventions you see in the movie are believable, the ergonomics of the spaceship are believable...), a few übercool scenes.

2/10 : far less exciting second half, "cool characters" are not used (while bad ones are), lots of ridiculous dialogues (few in the first half, then more and more), lots of incoherence, a few weirdly/badly done scenes, most creatures look terrible (very videogamish, while other CGI look gorgeous), more and more faith/parenthood nonsense (if you're gonna do Blade Runner, you'll need to have real depth in the movie and some utterly crazy dialogues like this http://en.wikipedia.org/wiki/Tears_in_rain_soliloquy, or your movie will suffer a lot).

5/10 : the "Alien" part. The movie gains nothing (and loses nothing, to me) by claiming to be part of the Alien universe. On the other hand, the Alien quadrilogy gains/looses nothing either.

I guess it has to be seen at least once, for the underlined part at least. I'll probably buy the BD, because I have to learn a lot from it. All in all, i'd say it's got the begining of the first Alien, the action part of an "average" alien movie (think Aliens or Alien 3), and the whole thing is brought down by stupid dialogues and botched themes, probably added by a script doctor after version 1 or 2 of the script.
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« Reply #10540 on: June 08, 2012, 06:58:29 AM »

Alien
Might be the greatest sci-fi movie ever made. Aside from ship blowing up at the end, the greatest use of special effects ever as well.

Blade Runner
Not nearly as good as I remembered. I also don't understand the overwhelming love for the 'tears in rain' speech.
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« Reply #10541 on: June 08, 2012, 07:58:50 AM »

Prometheus had the best use of 3D I've seen, alongside with Pina. Still I'm not sure if it actually added anything valuable to the experience.
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« Reply #10542 on: June 08, 2012, 08:10:39 AM »

Blade Runner
Not nearly as good as I remembered. I also don't understand the overwhelming love for the 'tears in rain' speech.

That speech tells me pretty much everything I need to know about life and death. And it tells it beautifully.
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« Reply #10543 on: June 08, 2012, 08:17:21 AM »

Prometheus had the best use of 3D I've seen, alongside with Pina. Still I'm not sure if it actually added anything valuable to the experience.

I have not seen Pina but Prometheus uses 3D just like avatar, doesn't it? Which means very little (even more little with Prometheus I think). It's gets you (a bit) more into the universe, and it improves dramatically every kind of CGI (have you ever seen Avatar flat? all the CGI suck), except, maybe, explosions.
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« Reply #10544 on: June 08, 2012, 12:12:45 PM »

That speech tells me pretty much everything I need to know about life and death. And it tells it beautifully.
fair enough. it is a great soliloquy, I guess it just doesn't affect me as much as it affects other. I'm just surprised it's so renowned to even have its own Wikipedia page.

I guess the final moments of life of Pvt. Witt in The Thin Red Line (for me) accomplishes similarly and much more powerfully the same thing the Tears in Rain speech states ...and much more... without any use of dialogue.
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