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Author Topic: Rate The Last Movie You Saw  (Read 1769500 times)
dave jenkins
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« Reply #12030 on: May 31, 2013, 05:10:48 PM »

Four Nights of a Dreamer / Quatre nuits d'un rêveur (1971) 7/10. Robert Bresson's take on Dostoyevski's White Nights, viewed by me here (in an abridged version from an apparent VHS source): http://www.youtube.com/watch?v=rQPRLMbbB3U It's interesting to compare this adaptation with the one done by Visconti 10 years before (the two are very different, but, I think, equally successful). Anyway, this gives me the last feature I needed to fulfill my Complete Bresson program: the world may now end.

UPDATE: The video has since been taken down.

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« Reply #12031 on: June 01, 2013, 01:40:16 PM »

What Masie Knew (2013) - 6/10. Based on a title by Henry James--a shame they couldn't have used more of the source, but I guess when updating the 1897 story to the 21st Century most everything else had to be junked. The basic situation, I guess, is retained: a 6-year-old girl is a football passed between parents during an acrimonious break-up. Here's the big news flash the film offers--the child suffers. Well, the child actress playing Masie is very good, at least--she acts her age, and seems genuinely confused by what is going on. I enjoyed watching the sexy nanny, played by Dutch treat Joanna Vanderham. She was rather well wrapped up in this one, but I'm hoping to see more of her in future projects. Oh yeah, Julianne Moore and Steve Coogan are also in the film.

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« Reply #12032 on: June 02, 2013, 03:49:26 AM »

The Blue Gardenia (1953) 8/10

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« Reply #12033 on: June 02, 2013, 07:32:55 AM »

Watchmen - 2nd viewing. The first time around I found it watchable but underwhelming. This time I turned it off with forty-five minutes to go. What a self-impressed pile of toss.

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« Reply #12034 on: June 02, 2013, 07:52:41 AM »

Watchmen - 2nd viewing. The first time around I found it watchable but underwhelming. This time I turned it off with forty-five minutes to go. What a self-impressed pile of toss.

You like the comic?

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« Reply #12035 on: June 02, 2013, 09:45:35 AM »

Never read it.

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« Reply #12036 on: June 02, 2013, 12:29:12 PM »

It's a masterpiece. one of the best told stories ever.

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« Reply #12037 on: June 02, 2013, 12:29:46 PM »

If the adolescent rants about "abbatoirs of retarded children" are in the graphic novel I'll pass.

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« Reply #12038 on: June 02, 2013, 04:19:17 PM »

True Confessions (1981) 6.5/10

The first half of the movie sort of slogs along – if it wasn't headlined by De Niro and Duvall, I might have shut it off – but it picks up in the second half.

There is some decent material here that IMO could have been made into a better movie.

This is the only movie in which De Niro and Duvall have appeared together, except for Godfather 2, in which they didn't share any scenes.

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« Reply #12039 on: June 02, 2013, 04:44:19 PM »

The Full Monty - 8/10 - It was funny watching this while going through a Cracker marathon. I kept expecting Robert Carlyle to whip out a bayonet and gut Tom Wilkinson (or better, Mark Addy). I enjoyed it though.

Trouble With the Curve - 4/10 - Part of this movie is a grouchy geezer rant against Moneyball, starring Clint Eastwood. The rest is an anodyne romance with Amy Adams and Justin Timberlake acting all cutesy. The leads are charming but there's no there, there. Just cliches and treacle.

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« Reply #12040 on: June 02, 2013, 09:00:30 PM »

just saw Taxi Driver (1976) for the second time (first time on blu-ray), and I really don't love it as much as the rest of the world does. I understand that there are lots of characters and scenes and moments that are very memorable -- and I guess there are lots of people for whom the theme of loneliness strikes a deep chord -- but this just wasn't a movie in which I ate up every moment, where every second was a joy like "OMG this is amazing." It just wasn't. I think the movie succeeds on many levels - the characters are all terrific, all the actors are just wonderful in their roles, the scenes of urban decay, the pre-Giuliani New York of crime and porn theaters and whores and guns and dope and pimps, shown very well, the scenes with Harvey Keitel and Jodie Foster are so difficult to watch cuz they make you feel so dirty, which is exactly the point. So when you break down the scenes and actors, there's not anything I can criticize.
 However, there are some movies -- the ones I consider classics -- that just grab you. Every second of it is a joy, you are just eating up every moment, and I just didn't feel like that here. I know that many people consider this the greatest movie of the 1970's, maybe one of the ten greatest movies of all-time, but for me, it's no better than good. This is not an anti-Scoreses thing; to the contrary, I love love love Scorsese's body of work.
But I just don't rate Taxi Driver as a classic.

Here are Scorses movies I rate above Taxi Driver: Who's That Knocking at My Door (9/1), Mean Streets (9/10), Goodfellas (10/10), The Color of Money (8.5/10), The Aviator (10/10), The Departed (8/10), Casino (9/10). (Note: I only saw Raging Bull once, a while ago on a little screen, and need to see it again before I can really decide how I feel about it. I plan to see it this week).

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« Reply #12041 on: June 03, 2013, 02:32:18 AM »

What strikes a deep chord for many people (consciously or not) in Taxi Driver not only loneliness but also existentialist themes, shown in a very pragmatical light (who am I? How to be someone? Am I defined by what I do or by who I am?). If these themes (or the way they're used here) don't ring a bell for you, then you won't see the film as what you call a "classic".

I thought more or less what you think of it when I saw it first. Now, these themes talk to me and have become very important questions of my day to day life, but I still have a thing against self destructive people and characters.

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« Reply #12042 on: June 03, 2013, 06:43:51 AM »

Maybe existentialist themes dont interest me that much because I was raised in a very religious home, in which there was a very firm knowledge of who we are, how we got here, what we are doing here, etc. Can't say I've kept everything, but those fundamental beliefs stay with you

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« Reply #12043 on: June 03, 2013, 07:04:02 AM »

Personal history and education exeplains a lot about what themes we care Smiley Schrader grew up in a very religious but also very strict/obscurantist family (he saw his first movie when he was 17). I think he kind of rejected all this as soon as he lived alone.

More info on his wikipedia page: http://en.wikipedia.org/wiki/Paul_Schrader

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« Reply #12044 on: June 03, 2013, 07:12:09 AM »

My parents never owned a television, i bought my own when i was 15 (they were cool enough to know i was different and didnt make a fuss). I never saw movies till i started going to theaters on my own when i was 13. Titanic was my first movie, Kate Winslet was the first pair of tits I saw

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