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Author Topic: Man in the Saddle (1951)  (Read 1378 times)
titoli
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« on: May 06, 2009, 08:33:19 AM »

Undistinguished oater: good colours, good Scott, it doesn't take advantage of the only elements of originality it might have had, i.e. the amorous relationships of five characters. And I think the main villain and his sidekick are miscast, very far from threatening. 5\10 

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« Reply #1 on: May 20, 2009, 02:48:15 PM »

There's too much of an emphasis on action, which most is supbar, even for the time period. I thought the roof colapse was a nice touch though. De Toth and Scott keep this entertaining enough (the dusty street was a nice touch), although I agree there should have been more of a psychological presence in the film. I don't think the lead villian is supposed to be intimidating, he's more of a Morton than a Frank. I am somewhat perplexed that this was filmed in color for a '51 release - isn't this a B picture? Overall, it's worth seeing and is slightly above average, could have been much more though.

and is the main villain's home the same used for The Furies?

*also it could possibly be the first time a hat was shot off someone's head, could be wrong though.

« Last Edit: May 20, 2009, 03:33:04 PM by Tuco Harmonica » Logged


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« Reply #2 on: May 28, 2017, 05:02:59 AM »

I like it plenty  Cool

Rancho Skulduggery.

Man in the Saddle is directed by Andre De Toth and adapted to screenplay by Kenneth Gamet from the novel written by Ernest Haycox. It stars Randolph Scott, Joan Leslie, John Russell, Ellen Drew, Alexander Knox, Richard Rober and Guinn Williams. Music is by George Duning and cinematography by Charles Lawton Jr.

More known and rightly lauded for the series of Western films he made with Budd Boetticher, it often gets forgotten that Randolph Scott also had a long working relationship with Andre De Toth. Man in the Saddle was the first of six Western films the two men would make together, and it's a pretty impressive start.

Sometimes you see words such as routine and standard attributed to a lot of Westerns from the 1950s, and Man in the Saddle is one such film that's unfairly tarred with that brush. Not that the narrative drive is out of the ordinary, the plot essentially sees Randy as a peaceful farmer forced to get nasty when evil land baron flexes his muscles, but the zest of the action, the stunt work, the colour photography (Lone Pine as always a Mecca for Western fans) and Scott, mark this out as a thoroughly entertaining production.

Characterisations carry a bit more psychological smarts than your average "B" Western of the era. There's a four way tug-of-love-war operating that is clearly going to spell misery, pain and death for somebody, a capitalist slant that bites hard with its egotistical bully boy overtones, while the obsessive behaviour of the principal players adds another dark cloud over this part of the West. Then there is the action scenes, of which De Toth once again shows himself to be a darn fine purveyor of such directional skills.

And so, we get an ace runaway blazing wagon sequence, a stampede, a quite brilliant gunfight in a darkened saloon, a mano-mano fist fight that literally brings the house down and then continues down a steep ravine, and the closing shoot-out played out during a dust storm doesn't lack for adrenaline rushes. Scott is once again a bastion of Western coolness, more so when he throws off the bright attire he wears for the first half of film, to then switch to black clothes that signifies he's going all bad ass on those who have caused him grief.

Undervalued for sure, both as a Scott picture and as a Western movie in general. Don't believe the routine and standard scare mongers, there's good craft here and it's a whole bunch of Oater fun. 7.5/10

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