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Author Topic: Jesse James (1939)  (Read 1364 times)
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« on: May 06, 2009, 09:40:24 PM »

A true classic, based more on legend than fact. A bit of more action and less stress on JJ's own sentimental vicissutudes would have been welcome.  Fonda's part is very small, second billing should go to Scott (great as usual). Nancy Kelly is the one who deliveres the best speeches and I think her presence is more pervasive than Power's. Maybe that's what doesn't persuade me in this. Still I can't find a reason for giving it less than 8\10.

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« Reply #1 on: December 27, 2012, 12:01:53 PM »

This gets an 8/10. I prefer this to the sequel The Return of Frank James, although both are very good movies.

The color is pretty bad. though I am sure it could be improved if a serious restoration was undertaken. Gone With the Wind was made the same year, and obviously looks far better than this does. Did GWTW look better on release, or is it just that more attention has been paid to it's restoration? I don't know, cuz I wasn't alive in 1939.
I don't know if it's profitable enough for a studio to undertake a restoration by itself, maybe they would have to be spurred on by eg. The Film Foundation. But I'd like to see this restored, it's a wonderful movie that has bad color (Not knowing how the movie looked in 1939, I guess this implicates the age-old question of whether the restoration should try to make the movie look as it did in 1939, or whether it should "improve" on the original).

« Last Edit: December 30, 2012, 02:03:38 AM by drinkanddestroy » Logged

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« Reply #2 on: May 06, 2017, 12:22:55 AM »

The horse snuff movie...

Special cast, special movie, just don't expect a history lesson.

We are at the time of the Iron Horse birth, the railroads are buying out the farm land at ridiculously low prices, even resorting to bully tactics to get the signature rights. When one particularly nasty railroad agent tries his strong arm tactics on the mother of the James brothers, he gets more than he bargained for. In an act of almost vengeful negligence, the agent causes the death of Mrs James and thus sets the wheels in motion for what was to become folklore notoriety, Jesse James, his brother Frank, and a gang of seemingly loyal thieves, went on to etch their names in outlaw history.

There is no getting away from the fact that history tells us that this is a highly fictionalised account of Jesse James and his exploits. What we are given here by director Henry King and his screenwriter Nunally Johnson, is a more romanticised look at the legend of the man himself; which sure as heck fire makes for one dandy and enjoyable watch. The cast is one to savour, Tyrone Power (Jesse James), Henry Fonda (Frank James), Randolph Scott (Will Wright), Brian Donlevy (Barshee) and John Carradine (Bob Ford) all line up to entertain the masses with fine results, with Fonda possibly owing his subsequent career to his appearance here. He would return a year later in the successful sequel The Return Of Frank James and subsequently go on to greater and more rewarding projects. Power of course would go on and pick up the trusty blade and start swishing away, a career beckoned for this matinée idol for sure, but it's nice to revisit this particular picture to see that Power could indeed be an actor of note, capable of some emotional depth instead of making Jesse just another outlawish thug. If the makers have made the character too "heroic" then that's for debate, it's one of the many historical "itches" that have irked historians over the years. But Power plays it as such and it works very well.

One of the film's main strengths is the pairing of Power and Fonda, very believable as a kinship united in ideals, with both men expertly handled by the reliable Henry King. The Technicolor from Howard Greene and George Barnes is wonderfully put to good use here, splendidly capturing the essence of the time with eye catching results. While the film itself has a fine action quota, gun play and galloping horses all feature throughout, and the characterisations of the main players lend themselves to pulse raising sequences. To leave us with what? A highly accomplished Western picture that ends in the way that history has showed it should, whilst the rest of the film is flimsy history at best... Yes. But ultimately it really doesn't matter if one is after some Western entertainment, because for sure this picture scores high in that regard. 8/10

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