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I'm sure Juan Miranda will be happy to hear that.
I could perhaps also mention the homoerotic subtext in play between Dobbs and Gold Hat, but I don't want to get titoli too worked up.
The end (with the wind) was copied at end of Sabata.
I have no doubt there's a homoerotic subtext...though I can't remember Borges getting hip to it...
Again, more than an homosexual subtext, there's an evident zoophilism attributable to all three characters (all those night visits to the burros with the excuse of checking their gold troves...).
Rating?