Sergio Leone Web Board
General Information => Sergio Leone News => Topic started by: noodles_leone on April 05, 2018, 07:41:48 AM
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Trailer: https://vimeo.com/189304247
They're looking for money to finish postproduction:
https://www.kisskissbankbank.com/sergio-leone-l-empreinte-d-un-lion-documentaire?ref=category
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52 minutes? I am underwhelmed.
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Yeah. Also, the exact topic of the documentary isn't clear. Is it about Sergio's history, style, thematics, personality? Or is it about the filmmaker's passion? May be a bit of all that?
What I really want is a documentary that is an in-depth analysis of Leone's style and technics. The rest is already pretty well covered.
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What I really want is a documentary that is an in-depth analysis of Leone's style and technics.
Amen to that, brother. And I want plenty of examples and a runtime that breaks 2 hours.
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Someone needs to tell the dude doing the voice-over that the two "ci" parts in "Cinecittà " should be pronounced the same (hence the spelling)
Or is it about the filmmaker's passion?
I was thinking it all seemed very French in spite of the voice-over, and then saw the filmmaker's name. He's the author of this book and often writes / comments on the Leone and the SW genre:
https://www.amazon.fr/%C3%A9tait-une-fois-western-europ%C3%A9en/dp/2917339268
What I really want is a documentary that is an in-depth analysis of Leone's style and technics.
Unlikely. Documentaries aside, I'm still waiting to find a "professional" film reviewer who properly covers such aspects rather than mostly talking about the story, the acting and the set-design. For some reason, they often seem to think that is ok to review cinema like a stage-play :(
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Unlikely. Documentaries aside, I'm still waiting to find a "professional" film reviewer who properly covers such aspects rather than mostly talking about the story, the acting and the set-design. For some reason, they often seem to think that is ok to review cinema like a stage-play :(
To my knowledge, the best we have now about ANY filmmaker is still the famous Hitchcock/Truffaut. Unsurprisingly, it happened when a filmmaker, and not just a critic, interviewed a fellow filmmaker.
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To my knowledge, the best we have now about ANY filmmaker is still the famous Hitchcock/Truffaut. Unsurprisingly, it happened when a filmmaker, and not just a critic, interviewed a fellow filmmaker.
So n_l, get to work interviewing filmmakers :)
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I may at some point :)
Another idea would be to listen to the A24 podcast: they sometimes put 2 filmmakers in a room, plug a microphone and let them talk together. No host, no nothing. The Aster/Eggers episode is very nice.