By the way, does anyone else think that the International title "1900" is more than a bit misleading? I think Bertolucci said something of this nature.
Oh yeh, guess it must have been that one. Il Gattopardo was made long before then in 1963.Is it a good movie Titoli? I really enjoyed Il Gattopardo.
Because he esteems him as an actor so much, obviously.
I'm not the best person to talk about Visconti, whose only movie I like is Bellissima. I can't say this is ugly but I can't say is a masterpiece. Probably there are Visconti's movies much worse like Lo straniero (which ought to be as boring as the novel: I systematically missed it) and Rocco, which i detest.
For a movie that aimed on international audience the original title itself was a strange choice, IMO, furthermore making the international sound extremely maladjusted and bogus. The correct translation is ''The 1900s'', or something among those lines.
So you didn't even like Il Gattopardo then?Not particularly. I liked the novel much better.Speaking of which, isn't the Italian for leopard "leopardo" rather than "gattopardo"?
But what does that have to do with him being Canadian?By the way, it just occurred to me that it seems ironic that the savior of America in the TV show 24 is played by his son Kiefer Sutherland who is a British-born Canadian. Of course it's all fantasy so doesn't really matter but it seems kind of like James Bond being played by a non-British actor.
Don't let the Canadian-American thing wrap you around the axle. The distinction is moot for practical purposes. Neil Young and William Shatner are two of the most prominent Canadian Americans there are, and both countries are proud to claim them.
Well, suffice to say Bertolucci employed North-American actors for the three main landlord/Fascist roles (Robert De Niro, Burt Lancaster, Donald Sutherland) and wanted a Russian, or possibly Russians although he only talks about Olmo, for the main Peasant/Communist role(s). Instead he used Europeans for the three main Peasant/Communist roles: Gerard Depardieu and Dominique Sanda (French); Werner Bruhns (German).
Just to add another thought. I think Bertolucci gets away from this casting idea in a big way with the casting of Sterling Hayden as Leo Dalco (whether he felt he was the best actor for the part or whatever his decision). I think his role is an important one since he's often contrasted to the padrone in the first half of the film.
I realize you were kind of comparing three roles from both categories.