All I can do is pity you for missing out on the indescribable pleasure you are missing out on by being unable to enjoy those scenes.
He probably meant there's more emotion to be felt with the 1968 scenes due to the regret, betrayal, and nostalgia felt by the characters.
who's he? me?I didn't mean that at all
I always wonder if there was more to story arc of Pesci in the hotel foyer.
It's likely that there was more, I mean the man shot 10 hours of footage, and maybe a couple of minutes could've gone into the story arc of Pesci. Leone could've cut it out because of the "indirect cinema" that he liked to incorporate.
that's probably the most common question about "what footage is missing from OUATIA"? (along with the frisbee scene).But based on everything I have read, there is nothing more to it. The point is that Pesci, the mafia head, is going to the hospital room, to meet with Treat Williams and/or James Woods, indicating that the mafia is getting involved in organized labor and/or Woods is already plotting to move on to bigger and better things.It's a quick, subtle point; Leone likes what he called "indirect cinema," where you aren't told something directly but figure it out from what you are shown
Only that for this scene nobody figured it out. It is simply irritating.