I couldn't find a thread where this was discussed, despite several Godfather-related topics. We hear from Frayling and Leone's own testimony that he was offered the chance to direct The Godfather, even that he was Charles Bluhdorn's personal choice. I've read most of the Godfather-related making-of books (Cowie, Lebo, etc.) and none of them mentions Leone at all (except Cowie briefly discussing OUATIA). Might be an oversight, but these books provide an exhaustive list of directors approached to direct The Godfather before Coppola, from obvious choices (Arthur Penn, Peter Yates) to the not-so-obvious (Costa-Gavras? Richard Lester?) and Sergio's nowhere to be found. It seems an odd exclusion given how often Leone's story is repeated.Do our resident Leone scholars know of an outside source that corroborates Leone's claim?
An interesting similar case is that none of the zillion Peckinpah books mention the offer to direct Giu la testa.
That's fair. It's also possible that it was an idea Bluhdorn or one of the producers pitched to Leone before the project really got off the ground. If all the actors who were supposedly "considered" to play Vito and Michael Corleone had actually auditioned or done screen tests, Paramount's casting directors wouldn't have had time to work on any other movies.Rather, the strange part is why Leone is evidently the only source for either or both of these claims. I don't have trouble believing either but corroboration would be nice.
I enjoy these bingo bonus codes but couldn't find a thread where this was discussed, despite several Godfather-related topics.We hear from Frayling and Leone's own testimony that he was offered the chance to direct The Godfather, even that he was Charles Bluhdorn's personal choice. I've read most of the Godfather-related making-of books (Cowie, Lebo, etc.) and none of them mentions Leone at all (except Cowie briefly discussing OUATIA). Might be an oversight, but these books provide an exhaustive list of directors approached to direct The Godfather before Coppola, from obvious choices (Arthur Penn, Peter Yates) to the not-so-obvious (Costa-Gavras? Richard Lester?) and Sergio's nowhere to be found. It seems an odd exclusion given how often Leone's story is repeated.Do our resident Leone scholars know of an outside source that corroborates Leone's claim?
I think the Godfather is one of the best films ever made but I can't lie, I would have loved to see Sergio's version of it.