Yet some of the festival's experiments have already proven highly combustible. After an outcry from French theaters, organizers announced last week that beginning next year, films without the intentions of a theatrical release in France won't be eligible for Cannes' prestigious Palme d'Or competition - the festival's main slate of about 20 films.
The move effectively bars Netflix releases from Europe's answer to an Oscar race.
"Europe's answer..." Last time I checked, the Cannes film festival went back a little further in time than the founding of the EU. I think "version" rather than "answer" would be a better choice of words here.
How do you mean? Aren't the films with a chance of winning a Best Picture Oscar (currently set at 10) and those with a chance of winning a Palme D'Or (set at 20) all pre-selected regardless?
point is, not every film premieres at Cannes. There are many great films that never premiere at Cannes and therefore are ineligible for the Palme d'ore. Every movie is eligible for Oscar contention.
Looking forward to Polanski's new film.
Really?
Yes, really. His last big-budget release "The Ghost", which was horribly renamed "The Ghost Writer" in North America, was absolutely fantastic ("Carnage" and "Venus in Fur" were much smaller scale affairs).
Wasn't Ghost Writer the original title?
But in France and in Germany, the other co-producer countries, it was The Ghost Writer, and that is everywhere cited as the original title.It seems the Brits changed it to correspondent with the book.