Lubezki and Malick have been working with Criterion for more than a year to create a new 4K restoration of Malick’s preferred 172-minute cut of the film, and these brief, never-before-seen examples show the incredible difference between the look of Lubezki’s meticulously exposed camera negative and that of the finished film.
http://www.dvdbeaver.com/film5/blu-ray_reviews_72/the_new_world_blu-ray.htm
The Extended Cut looks absolutely magnificent in high-definition. Indeed, there are massive improvements in terms of detail and clarity that drastically improve fluidity. As a result, the film now has a much better balanced appearance. In fact, I did numerous comparisons with the other cuts and can confirm that the discrepancies in terms of depth are massive. Indeed, on the first two cuts there are traces of moderate filtering adjustments that routinely flatten the image and cause distracting smearing (see an obvious example in screencapture #25). With a lot of wider panoramic shots where light is captured in unique ways the effects are also prominent and cause entirely different anomalies (see screencapture #35). On the Extended Cut there are no traces of compromising digital work. Furthermore, the Extended Cut comes with a much better range of primary colors and nuances. The overall balance is excellent and very much supportive of the intended atmosphere. There are many cases where the careful grading has even helped previously lost nuances to reemerge (compare screencaptures #17 and 30). Unsurprisingly, on large screens the difference between the Extended Cut and the Theatrical Cut and First Cut of the film is often staggering. Finally, the Extended Cut has an all-around strong organic appearance that really allows one to experience the film in an entirely new way.