John Wick Chapter 4 (2023) IMAX - 4/10. Five minutes of plot crammed into a 169 minute film. Which would be okay if the set pieces were good, but these are mostly repetitive and exhausting. There's finally a good one, but you have to wait two hours to get to it. It's Wick going up the 200+ stairs of the Rue Foyatier, Montmartre (if IMDb can be trusted) while a bevy of assassins try to prevent him. And he has to do it twice. And the second time he has to accomplish the task in 2 minutes. The other bit that's well done is the duel at the end, which is actually clever. Most of the film, though, is ponderous. And I remember when this franchise had a bit of wit. The filmmakers now are taking it all too seriously, it seems.
Here is Ben Shapiro?s review (with spoiler)https://podcasts.apple.com/us/podcast/the-ben-shapiro-show/id1047335260?i=1000605854632
Why would anyone listen to Ben's opinions on a movie? He ridiculizes himself every single time he speaks about movies.
He's right this time, though.
Play It as It Lays (1972) - Flawed, but an incredibly interesting European inspired New Hollywood flick detailing the mental breakdown of a B actress with an excellent performance from future Leone alum Tuesday Weld. It's very of its time with its New Wavey abrupt cut storytelling that frantically weaves in and out scenes - but this technique is mostly done pretty well and it lacks the hipster nihilism or hubris that usually turns me off from this type of movie. The style also fits the character. It could have been a masterpiece of sorts had it spent more time with Anthony Perkins' character and had the second half of the movie been better paced. At worst, it's a uniquely interesting movie that probably influenced Tarantino to some degree when writing 'Hollywood'. He may have said so himself if I remember correctly. B-
Cry Macho - 10/10
IMAX version is 12/10
Martin Roumagnac (1946) - 7/10. Marlene Dietrich and Jean Gabin, together again for the first time! Marlene is the femme fatale; Jean, the sucker waiting to get fleeced. It will end in tears, or, at the very least, in a trial scene. The trial here is pretty interesting, especially as, in the French system, jurors and even the accused get to question the witnesses. Not only that, but counsel for the defense gets to play to the house, raising the drama, influencing the jury and skewing the verdict. I guess this is adapted from a novel, because the plot is very nicely worked out. Daniel Gelin gets a couple cameos, one a real killer. Georges Lacombe directed.