Pacino was a great actor for a short time in the 70s, but he began early to foster his quickly overdone mannerisms, and he did that already early in Bobby Deerfield and in And Justice for All, but since the 90s his performances are often really terrible, they hurt the films, and I say such a thing quite seldom about actors. De Niro has also lost all his incredible charisma since the mid-80s, but at least he is mostly not that bothersome.
@Stanton:I admit I haven't dug into the less famous films by both Lumet and Penn. But come on, 12 Angry Men is his first film, of course, just like CoR, it isn't as good as a masterpiece by Arthur Penn. The story is still told in a better way than what I remember from The Left Handed Gun. . . .
Better idea is to watch that with your boyfriend
Dog Day Afternoon is really good.
@Drink:I'm glad you and I disagree afterall But no, it was a discussion you started with me, very much centered on Lumet, in the context of Lumet and only Lumet. I seem to remember you had just (re?)watched Running on Empty or read Lumet's Making Movies.Talking about Running on empty: the following extended shot, in the context of the whole movie of course, is at last as truly, deeply cinematic and incredible as anything by Penn Mr Stanton can find:https://www.youtube.com/watch?v=V5Ztq4icMGU (that shot is also much better than the whole movie itself)
Pale Flower (1964) Directed very stylistically by Masahiro ShinodaExcon Maraki, a yakuza, returns to his old haunts in Tokyo. He resumes his place within the Funada gang. He is a gambler and returns to the illegal card games he loves, there he meets the much younger Saeko a well dressed, beautiful young woman with lots of cash and a gambling addiction who is bored with life. When Saeko tells him she tried heroin he tells her there is a bigger high and asks if she wants to watch him carry out another Yakuza hit. 8/10
I guess this all mean that now I have to watch The Pawnbroker.